When you’ve spent months curating a world-class exhibition (“Snap, Crackle and Pop: British Pop Art meets the High Street in the Swinging Sixties”, you’re always anxious on the opening night.
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When you’ve spent months curating a world-class exhibition (“Snap, Crackle and Pop: British Pop Art meets the High Street in the Swinging Sixties”, you’re always anxious on the opening night.
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